Last week, the tech journalist Quinn Norton wrote a Medium essay accusing the well-known tech blogger Robert Scoble of grabbing her breast and butt without consent while drunk at Foo Camp several years ago.
As Norton's account circulated on social media and other women made allegations against Scoble of abusive sexual behavior, Scoble gave an interview to USA Today in which he said he didn't remember the incident at Foo Camp but admitted non-specific wrongdoing:
I did some things that are really, really hurtful to the women and I feel ashamed by that. I have taken many steps to try to get better because I knew some of this was potentially going to come out.
Today, Scoble made an about face in a blog post that attacks several of his accusers and completely misleads people what Norton wrote about him, making it sound like an admission of wrongdoing against himself.
I questioned Scoble about this on his Facebook account and he responded. Here's the exchange.
Me: "Quinn Norton, by her own account, physically accosted me." This is false. Norton's account was that you grabbed her breast and butt without consent before she physically (and justifiably) defended herself. You were asked about this allegation directly by USA Today reporter Jessica Guynn.
Two Foo Camp organizers, Tim O'Reilly and Sarah Winge, have corroborated Norton's allegation. O'Reilly said your actions that night resulted in your ban from future events and prompted the creation of a code of conduct for the event. Winge said Norton told her that night what you did.
If you're not going to address the allegations directly and accurately, you shouldn't be discussing them at all.
Scoble: By Quinn's account she attempted to pick a fight and got one. It would have been much more appropriate to get the conference staff involved in a drunken affair that might be damaging to one or more of the participants, or to the reputation of the conference itself. I wasn't removed from Foo Camp, and was a speaker at an event the next year, and Tim O'Reilly talked to me over the last year in preparation for his book, so I wonder why the difference in public and private behavior toward me.
Me: Quinn Norton's account: "And then, without any more warning, Scoble was on me. I felt one hand on my breast and his arm reaching around and grabbing my butt. Scoble is considerably bigger than I am, and I realized quickly I wasn't going to be able to push him away." That's not a description of a woman picking a fight with you. That's a woman defending herself from sexual assault.
Do you deny the breast- and butt-groping occurred or not? USA Today quotes you saying, "I did some things that are really, really hurtful to the women" and "I knew some of this was potentially going to come out." That made it sound like you caused her and others harm (or suspect you did in a drunken blackout) and wanted to apologize. But your response today is aggressive and non-contrite.
Scoble: I'm sure Sarah Seitz felt hurt when I rejected her. I feel bad anytime I hurt somebody.
Me: That's not a response to what I asked. If you don't know whether you groped Norton because you were extremely drunk that night, you shouldn't be accusing her of premeditated assault. It feels like an attempt to manipulate the public against someone you likely harmed.
For the last 10 years I've been competing in the Ted Marshall Open, a contest to predict 10 shows on broadcast TV that will be cancelled during the coming season. Mike Burger began the game 17 years ago as the Alison La Placa Open, naming it after a great comedic actress who starred in the short-lived shows Suzanne Pleshette is Maggie Briggs, Duet, Open House, Stat, The Jackie Thomas Show and Tom.
When La Placa lost her sense of humor about the name in 2008 and sent a cease and desist letter, the contest was renamed Ted Marshall in possible tribute to fellow acting unfortunates Ted McGinley and Paula Marshall.
This year Burger decided not to run the contest. Because the fall season wouldn't be the same without the game, I've launched TVDeadpool.Com. The contest rules are the same: Pick 10 shows, rank them from 10 to 1 and receive points when they are cancelled. Guess a showcase showdown value on The Price is Right as a tiebreaker. There isn't much to look at yet, but there will be a leader board and a blog with renewal/cancellation updates.
We could use some more players as well as help getting the word out. The deadline to enter is this Sunday at 11:59:59 p.m.
I love biopics. I completely believe them when I'm watching, then spend the next few days scouring the web for how much nonsense I accepted as fact.
After hearing that The Founder was on Netflix, last night I watched Michael Keaton portray Ray Kroc as he pried McDonald's away from the brothers who founded the original restaurant and invented its fast food techniques. The film portrays Kroc as a villain and the brothers as heroes.
Judging strictly by the film itself, and not the actual facts, I question the idea that Dick and Mac McDonald were horribly mistreated by Kroc, though Nick Offerman and John Carroll Lynch are fantastic as those brothers at eliciting sympathy. Don't read any further if you want to avoid spoilers.
When Kroc comes into the picture, the McDonald brothers are shown running a highly successful local restaurant in San Bernardino, California, that they have tried and failed to launch as a franchise. While they continue to run that restaurant, we see Kroc crossing the country and working indefatigably to attract franchise owners. All the efforts to build the business and keep franchise owners in line are credited to Kroc. The McDonalds only show up to fight something Kroc wants to do or express worry that he's taking advantage of them.
Given that scenario as depicted, there's no reason to believe that McDonald's ever goes national without Kroc. The brothers are shown as good-natured, good-hearted and completely small time.
So when Kroc makes his move to take over, he's trying to wrest control of a business with hundreds of restaurants that he largely built on his own. It's hard to feel like he stole something that would never have existed without him.
At the end of the movie, Kroc does two things that make him look like a complete bastard. According to Lisa Napoli, the author of the biography Ray and Joan, one of these is true and the other false.
Shelley Powers has a lyrical blog post up on Burningbird called The Rule of Small Deer. I'd quote it but it should be appreciated in its entirety.
Powers is known as a techblogger and computer book author, but she's also an advocate for animal welfare who does some terrific original reporting on the subject. You can find recent posts in her blog's Critters category.
The way she ended one post on the unjust elimination of a wolf pack in Washington state serves as excellent general advice:
Don't accept this. Get in people's faces. Be mad. Be vocal. Be loud. And if being loud means to hell with respectful and civil discourse, so be it.
This site continues to get 10-30 comment spams a day, along with the occasional comment to an old post that makes it worthwhile to continue offering the opportunity for reader feedback. I'm thinking about switching to a comment form in which the only way to add bold, italics and links is to use buttons that add the formatting in a markup scheme that nobody else on the planet uses. Comments that use HTML or Markdown would be rejected.
Coming up with oddball and ultimately futile anti-spam techniques is a long tradition around here. In 2006 I invented comment flak, a system of putting fake form components on a page and hiding them with CSS so that their use caught spammers. It did not work.
Daniel Stenberg, a Mozilla senior network engineer and the creator of the cURL open source library, has been denied entry to the United States, he revealed early Tuesday morning in a tweet.
Stenberg was coming for business to All Hands, a twice-yearly Mozilla conference bringing together staff and volunteers that began Monday. An hour after tweeting, "On my way to San Francisco and Mozilla," he said this:
That took an unexpected turn. I'm denied entry by ESTA out of the blue. So ... no trip for me I suppose. Shocked really. What a disappointment. ... I can't think of a single good reason why they would do this.
ESTA is the Electronic System for Travel Authorization, which is used by U.S. Customs and Border Protection. Stenberg said that he was checking in at Arlanda Airport north of Stockholm when told he couldn't fly. "I couldn't check in online for unknown reasons so I approached the counter, where they informed me," he said. No reason was given for the refusal.
The cURL library is used by software to download data across websites and web services using HTTP, FTP and many other protocols. I've used it on many of my sites, often to get RSS feeds. The cURL site states, "It is also used in cars, television sets, routers, printers, audio equipment, mobile phones, tablets, set-top boxes, media players and is the internet transfer backbone for thousands of software applications affecting billions of humans daily." The project had its 20th anniversary earlier this year on April 8.
Update: Stenberg has blogged about the experience and the support he's received across the programming world. There's still no explanation for his exclusion.
I'm a huge fan of Noah Hawley's Fargo TV series, which just completed its third season on FX. This post contains spoilers, so bail out now if you're avoiding them. I enjoyed the season but thought it didn't live up to the greatness of the earlier ones. For most of the season, the villain V. M. Varga lacked a protagonist formidable enough to be a credible challenge. It wasn't until the final third when the bridge-playing parolee Nikki Swango brought up her game to put his evil scheme in genuine doubt.
Now that the no-spoiler readers are gone, I can share the reason I'm writing about the show today.
In Fargo's last minutes, a black man and a heartbroken woman are killed as a white man walks away, not one hair out of place. We know this, because we see the police officer's blood-splattered face and shirt, pointing out exactly where he was fatally shot. The Fargo team makes sure we notice the gore, since the camera slowly pans over the man's body. We've seen enough real-life black men murdered in very similar traffic stops -- almost always on the other side of the law enforcement-driver equation -- why do we need to experience another one? Especially on a show with so few people of color in the first place? This hits too close to home, considering the actor who played Officer Crowley, Michael Brown, shares a name with the 18-year-old young man whose death prompted the Ferguson protests of 2014.
Complaining about bloody depictions of violence on Fargo is like being upset there's so much singing on Nashville. Anyone who watched the series knew the finale would show the bodies of one or more characters in sorrowful detail as Jeff Russo's magnificent Fargo theme played in the background.
The heartbroken woman described so sympathetically by Romero carried out a gruesome murder-by-air-conditioner in the season's first episode. When a character commits a heinous crime on this show, it almost always balances the scales by the end. The inability of the evildoer to escape the fate they deserve is a major theme of every incarnation of Fargo.
As for the coincidence that the actor playing the cop in a single scene is named Michael Brown, if leaping to offense was an Olympic sport, Refinery 29 would be a favorite for the gold.