I received a certified letter from Blue Cross Blue Shield today straight out of the film Brazil. The contents: one piece of paper cancelling my policy, a 3/4" inch square styrofoam cube, and this note explaining the presence of the cube:

Attention

The styrofoam cube enclosed in this envelope is being included by the sender to meet a United States Postal Service regulation. This regulation requires the letter or package to be 3/4 of an inch thick at its thickest point. The cube has no other purpose and may be disposed of upon opening this correspondence.

2005/02/23 · 9 COMMENTS · Link

Prying Into the Google Crowbar

I'm studying the technical implementation of the Google Toolbar to find a JavaScript technique a Web publisher could use to detect and defeat autolinking.

I wouldn't use it on Workbench, but if I were Barnes & Noble or another online bookseller, I wouldn't have much patience for software that adds links to my competitors on my pages.

I thought I might be able to compare document.fileSize to the size of the page in document.body.innerHTML.length, but these values don't match and don't change after AutoLink is pressed.

I found some good and bad things about the implementation.

The good: the current beta enables a user to choose a map provider, which can be Google Maps, MapQuest, or Yahoo Maps. (Click Options, AutoLink Settings to choose one.)

The bad: You can't use View Source to learn what the Google Toolbar has done to a page after autolinking.

When you try, Internet Explorer shows the source code of the original page. To my knowledge, this is the first time I have ever viewed a Web page where I couldn't examine the exact HTML, JavaScript, and CSS formatting used to create it.

Publishing · 2005/02/22 · 15 COMMENTS · Link

Google Wants to Play Tag

I see it as an issue of 'Who owns the content being displayed?' Google does not own the content, and when it uses the content of others to make money, it often will be violating the intellectual property laws.

-- Attorney Terence Ross on the Google Toolbar's new autolink feature

I can understand the appeal of the argument that anything that exists on your computer is yours to edit, archive, or transform as you see fit. Roger Benningfield sums it up nicely: "My house, my rules."

But we don't seem to be living in that world with our software, and I'd like to see the legal foundation of the belief that we're living there with Web pages and other electronic documents.

Autolink edits Web pages, making subtle inline changes to text while presenting them at their original URLs, which implies the original author created the transformed work.

Even if you accept the legality of these edits, there should be more regard for the notion that something presented under your name is actually your work.

Software that manipulates digital content in transit should not present it as if no changes were made.

Publishing · 2005/02/21 · 13 COMMENTS · Link

Mark Evanier:

... many years ago, around the time I started edging into the TV business, I attended a lecture by a very accomplished, successful producer ... a man with many prestigious credits. He told us that we had to recognize and avoid what he called "The Marley Ideas" -- notions so dreadful that they were dead from the moment of conception. As an example, he told us that one TV network was then considering an idea so terrible, so guaranteed to fail, that everyone involved with it should be immediately fired for programming malpractice. And the way he described it, it sure sounded like you'd be an idiot to think that they could make a weekly series out of the movie, M*A*S*H.

Television · 2005/02/20 · Comment · Link

Trying the New Google Crowbar

I'm researching the new Google Toolbar beta, which enables Internet Explorer users to click an AutoLink button that edits Web pages, adding links when it recognizes a book's ISBN number, street address, or package tracking number in the text of a page.

Though it's a cool hack, as I said on Jason Levine's weblog, at first glance this seems like overstepping the boundaries of copyright. Robert Scoble voices similar concerns.

I fund my Web server in part through the revenue generated by affiliate links to my books -- sites earned around $3,300 from Amazon.Com referrals in 2004.

In principle, Google Toolbar's new functionality could be used to replace these links with ones that commercially benefit Google.

In practice, the current beta only adds a link to ISBNs that do not already have a link, as you can test on my book list. When the page is loaded, the toolbar's AutoLink button becomes Show Book Info. Clicking the button turns the plaintext ISBN for Movable Type 3 Bible Desktop Edition into a link to Google's toolbar proxy, which in turn redirects to an Amazon page for the book. The ISBNs for other books, which have my Amazon affiliate links, are not altered.

Before:

After:

Without question, Google's software is creating a derivative work when a user clicks AutoLink. Levine believes that since a user has the right to alter a work for personal use, provided that it is not redistributed, this feature simply puts that right into practice -- like a TiVo user fast-forwarding past commercials.

I support the use of ad blockers, image blockers, and browser plug-ins that alter the presentation of Web pages for readability or accessibility reasons. Perhaps this falls into the same area.

However, I think this feature is different than software that excludes content entirely or alters it for presentational purposes.

The alterations are so subtle that users would not be clear that a page's publisher did not author these added links, which may be to undesired sites and services.

For instance, if you visit a book's page on the retailer Bookpool, clicking Show Book Info revises the page, linking the ISBN to the book's page on Amazon.Com. Anyone care to guess about whether Bookpool would approve of this change?

Google derives commercial benefit from the added links, and could even implement the feature in a manner that replaces links from which a publisher earns revenue.

This feature reminds me of cases where a company added its own pop-up ads triggered by other publishers' sites or framed someone else's pages.

Carry Google's new feature to its natural conclusion, and a browser such as Mozilla Firefox could add functionality that replaces all affiliate links it recognizes with ones that benefit the Mozilla Foundation.

I have a lot of respect for Levine's armchair legal analysis on Q Daily News -- he's a constitutional law junkie who attended oral arguments in Boy Scouts of America v. Dale and reads amicus briefs for fun. But I have trouble believing the courts would support the for-profit alteration of Web pages in the manner facilitated by the toolbar.

Publishing · 2005/02/20 · 66 COMMENTS · Link

XMLSucks.Org: Well-Formed Criticism

You'd expect a site called XML Sucks to ruthlessly slag the data-description language, but Aaron Crane has produced a pretty even-handed analysis in slides for a LinuxWorld 2003 presentation.

XML does have a number of technological problems, but ... the technological problems can be managed [and] the political and commercial advantages of working with the same open standard as everyone else are enormous.

One bogus criticism: Crane's complaint about the verbosity of element names. With today's disk space, processor speed, memory, and compression, it's farcical to think that we need to sacrifice human readability by taking advice like this: "Avoid repeating the element name in the closing bracket."

Somewhere, a coder who had to implement a spreadsheet on a circa-1981 IBM PC in 16K of memory (expandable to 64K!) is reading this and mocking us. And he's saving his work on floppy disks bigger than his head.

As he notes on his site, Crane originally produced the slides as XML.

2005/02/19 · 1 COMMENT · Link

My Cruise Ship Has Come In

Got back this weekend from a four-day cruise aboard the Disney Wonder, a gargantuan ship that sailed from Port Canaveral, Florida, to Nassau, Bahamas, and Castaway Cay, a private postage stamp of an island owned by Disney.

My wife and I were celebrating our tenth wedding anniversary by sailing beyond the reach of cell phones, the Internet, weblogs, and responsibility. We didn't even have to decide where to eat -- meals were covered by the ticket, and everything was so decadent that if you didn't order the specials, they'd bring them anyway so you could try them.

One more day of that, and they'd have to tow me behind the ship like Herbie the Fat Fury as we headed back to port. The staterooms got smaller with each meal.

As a practicing neurotic, I couldn't help but think of the Titanic, which was 83 feet shorter, 14 feet thinner, and held around the same number of passengers (the Wonder's maximum population: 3,325). Standing on our veranda at night, all you could see were rolling, pitch black seas and the distant lights of the Carnival Fantasy, a ship following roughly the same path.

As it turns out, comparing your cruise ship and its nocturnal companion to the Titanic and Carpathia is a poor way to go back to sleep.

The ship was crewed by hundreds of people, most of whom were young, foreign, aggressively chipper, and worked like galley slaves. (One of the current stage performers has a LiveJournal.) According to our Indonesian waiter -- every guest has staff who follow them from meal to meal -- they work a six-month contract of seven-day weeks, return to their countries, then hope for good customer reviews to get rehired.

A more industrious weblogger has posted much better Disney Wonder pictures than I took -- especially this shot of Castaway Cay.

The bayfront shops in Nassau were a reminder of home. I could pretend I was on St. George Street by stripping the word Bahamas off row after row of knick-knacks, replacing it with St. Augustine, and paying taxes on my liquor.

There was one striking difference between the towns and their assortment of tourist merchandise: a Nassau shop sold a barrel-wearing, spring-loaded carved man who turned out to be anatomically correct.

Having never been on a cruise ship before, I was awestruck by the insane engineering genius required to turn a 2,000-room hotel on its side and float it around the world. It's only a matter of time before they strap rockets on one of these, fill it with battered calamari, key lime pie, alcohol, and tourists, and send it 'round the moon.

On the final night of the cruise, I was hopped up on Beck's and Killian's Irish Red, trying to bust a move old-school on disco night in the Wavebands nightclub. It wasn't easy to lift a foot, then look for the floor's new location before putting it back down.

I must have been a gruesome spectacle, because each time I tried to leave the floor, a pair of attractive young women I didn't know yelled "dance, gray hair, dance!" When the DJ started playing music like Pearl Jam's "Evenflow," I knew he was throwing everything he could into making me stop the Elaine Bennis-like gyrations before I broke a hip.

Jacksonville · 2005/02/18 · 3 COMMENTS · Link

Read More Entries